Week 31, Day 212 - "What Price Gory?"

“What Price Gory?’
Written by Joe Janes
8/18/09
212 of 365

Cast:
Glenda, 40s
Garrett, 40s
Dr. Patel, 40s
Derek, 30s

(Lights up on Garrett and Glenda, a middle-aged couple, holding hands in a hospital room, looking concerned. Derek lays in a hospital bed asleep. Dr. Patel enters.)

DR. PATEL

Well, Garrett, we have the test results. You are a perfect match for your brother. We can schedule the kidney transplant for this coming weekend.

GLENDA

That is great news.

GARRETT

I’m so glad my baby brother doesn’t have to worry about this any more.

DR. PATEL

This is a relatively simple procedure, very common. And you’re in good health. There shouldn’t be any complications. Do you have any questions?

GARRETT

Jus one. How much?

DR. PATEL

Well, your brother’s insurance should cover most of the procedure.

GARRETT

Right, right. How much to me?

DR. PATEL

I’m not sure what you are asking.

GARRETT

Glenda here got $8,000 for giving up some of her eggs. I only have two kidneys. Giving up one of them has to bring in a good chunk of change.

DR. PATEL

Garrett, I –

GLENDA

Pretty straightforward question, Doc. What’s the going rate on a healthy kidney?

DR. PATEL (closes the hospital room door)

What you are talking about is against the law.

GARRETT

So is smoking pot, but we all do it.

DR. PATEL

I have a prescription.

GARRET

I didn’t mean you, but I think you know what I’m getting at.

DR. PATEL

Let me repeat, it is against the law to sell or otherwise receive gifts for donating an organ. We could get into a lot of trouble here.

GLENDA

Bet Derek will think otherwise.

(She shakes him.)

DR. PATEL

We should really let him rest.

GLENDA

Derek! Derek! Wakey, wakey, eggs and bakey.

DEREK

Hunh…Whuh? Um. Oh. Hi, Doc. What’s the good news?

GLENDA

The good news is that your big brother is a perfect match for a kidney for you, Derek.

DEREK

Oh… What does he want?

DR. PATEL

Derek, as I was telling Glenda and Garrett, paying for a kidney is against the law.

DEREK

Oh, I know. I know. And I know my brother. What does he want?

DR. PATEL

I have to put my foot down on this. This is unethical. You’re saving his life.

GARRETT

Which ought to be worth something, don’t you think? Keeps him kicking around another 40-50 years.

DR. PATEL

Any payment is not going to come from the hospital or from the insurance company. You understand that, don’t you?

GARRETT

Well, baby brother, what do you think? Did you still want to take that cruise to Cozy-mell this summer or are you not going to be around for it?

DR. PATEL

This is blackmail.

GARRETT

Call it what you like, I call it doing business, Doc.

DEREK

What do you want, Garrett?

GLENDA

Tell him, honey.

GARRETT

We want your house.

DEREK

My house? Where am I going to live?

GARRETT

Hey, I’m not heartless. You can have our RV. We won’t need it anymore.

DEREK

That mold-infested flea trap? You’re saving me from one coffin and putting me in another.

DR. PATEL

I refuse to listen to this. I’ll check the registry and see if there are any other potential organ donors.

DEREK

Wait. Doc. We both know I’m pretty low on the priority list. Garrett’s my only real chance. And he’s my only brother. He’s lived in that RV at the trailer park for over a decade. It don’t even run anymore. The house is my gift to you, Garrett. Not for the kidney, but because you are my brother and you’re too stupid to ever have a chance to live in a proper house on your own.

GARRETT

Now, you’re talking. Let’s do this thing, Doc.

DR. PATEL

Okay, then. The surgery is in two days. Don’t eat anything tomorrow. Be here Saturday morning at 6am. Any questions?

GARRETT

Need anything else?

GLENDA

I’ve got eggs!

(Blackout)

High Fidelity, HIgh Expectations

High Fidelity
Music by Tom Kitt
Lyrics by Amanda Green
Book by David Lindsay-Abaire
Directed and Choreographed by Peter Amster
Piper's Alley
230 West North Avenue, 3rd floor
Route 66 Theatre Company

Originally a novel by British author Nick Hornby, but drawing more heavily from the Chicago-planted John Cusack film adaptation from 2000, comes High Fidelity, the musical. It's the story of Rob, the owner of a struggling record store trying to work his way through a trail of failed relationships in hopes to win back his latest ex-girlfriend, Laura.

What works well for the show is the environment. It's the story of a small group of friends connected by their love of music. They work in a record store by day and hang out at band bars at night. Putting it in a cabaret/night club setting is the right move. But I will say, if you're going to emulate a bar atmosphere, get a better selection of beer. No bar these characters would go to would serve a "carb free" beer.

This ambitious Route 66 Theatre Company production has its bright spots, but ultimately can't overcome the inherent issues in the story. First off, if your main character is a 40-something loser with a Hair Club for Men coif who still sleeps on a futon that doubles as his couch and is a douchebag when it comes to women, I'm going to have a hard time rooting for the dude. And when the love of his life is a 40-something lawyer who leaves him to find herself and then hooks up with an even douchier dude, well, she gets what she deserves.

If you have any familiarity with the original story, you may be wondering about my reference to the lead characters being in their 40s. They're not supposed to be. Even this production's website describes them as being in their 30s. One of the issues, is that the lead actors don't look it. They look old enough to know better and to have already worked out this stuff. The character of Rob, as written, is a bit of a jerk, but he's a jerk with charm and natural charisma and he means well and you cheer for him when he succeeds and you feel bad when he falls back. Such is not the case here. Stef Tovar, who seems like a competent actor, is miscast. The part of Laura, played by Tricia Small, is thin and underwritten, so its difficult to lay too much burden on her performance. What is definitely missing when these two are together on stage is chemistry. There's no reason for the audience to want them to get together, except to wrap up the show.



Behind the leads, is an excellent supporting cast full the spark and great singing chops one would expect from a musical about the love of rock and roll. Michael Mahler as "Dick" and Blair Robertson as "Anna" steal the show with the too few moments they have together on stage. Jonathan Wagner, in the thankless role of "Barry" that was a breakthrough for Jack Black in the film, does an admirable job and nearly brings the damn house down with the kick ass finale number "Turn The World Off."

Basically, the story has problems. A lot of telling us how people think and feel without showing us. It surprised me when Dick and Barry, the two record store employees, show up at the funeral of their boss's ex-girlfriend's father in the second act, but then I remembered someone mentioned in the first act that they liked Laura. Um, yep. There's a lot of that going on. These story telling flaws can only be overcome with super dynamic actors in the leads, which, they unfortunately don't have here.

Full Price, Discounted Ticket, Comp or Avoid Altogether?

Comp. If you get a chance to see it for free, go see it. I not, go rent the DVD and enjoy the movie's soundtrack, it's like listening to a freeform FM station from the 70s.