Friday, November 2, 2012

Never say Macbeth in a theatre classroom.

For the past five weeks I have been very busy directing an amazing cast in creating an original one-act under the influence of Macbeth. More specifically, the curse of The Scottish Play. 

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Directed by Joe Janes

Written and Performed by
Terrence Carey, Bill O’Connor, Patrick Delaney, Jenna Ebersberger, Shoshannah Frankel, Ryan Hake, Caitlin Linden, Carl Andre McGee II, Noelle Prete, Kimberly Vaughn and Johnathan Wallace

Showtimes
Tues, Nov 6, 6:30pm
Wed, Nov 7, 9:00pm
Thurs, Nov 8, 5:30pm
72 E. 11th St – Theatre Bldg     ROOM 602
FREE ADMISSION      For reservations call 312-369-6349     Running time 60 min     

If you are in Chicago, please come check it out. It's for a class. I get a grade.                                               

Thursday, August 23, 2012

Seven Deadly Plays Opens!


Well, I had an interesting week. Last Thursday, I took on the project of writing in and about places that have an element of danger to them. Why? Well, for fun, but let me give you the teacher-y angle. In writing classes, I really hate it when a student doesn't declare where a scene is taking place. "It can take place anywhere!" Sure, it can. But why not take the opportunity to place it in a compelling place that affects and heightens the scene? A pick-up scene in a park may not have the same oomph as a pick-up scene taking place in a fallout shelter. And while some really outstanding scenes can take place in a restaurant, living room or office, I wanted to explore new territory. It was also an opportunity to see how starting with a location affects the writing. And it did. All seven plays are very distinct. In every locale, I felt like a journalist looking for the story that wanted to be told.

How dangerous were the places I visited?

Allow me to rank them from most to least threatening to my physical well-being.

1) The Damen Silos - Easily top of the list. This place has been abandoned. The only safety measures is a chain link fence to keep your ass out. It's dusty, crumbling, dark, dank and very, very tall. We climbed up the inside of a silo to get to the top of one building. This was a straight up vertical climb in the dark. Once on top of that building, there are silo opening and chutes all over the place. One ill-planned step, and you take the express route back. We crossed an overpass built to connect it to a taller building. From there we went three stories up to the top on an external fire escape with steps missing. It was quite the workout. The only injury was banging my head on concrete as I tried to crawl out of the basement through a hole that has eroded in the side of the building. Still tender where the button on top of my ball cap tried to embed itself in my skull.

2) John's Tree - We had two venues fall through during the week. One of them was the bell tower at St. James Cathedral. They had some legal concerns about safety that just wasn't handled in time. Our last minute solution was a suggestion by the director, John "Screeching Weasel' Pierson. We climbed the tree in his front yard. I jumped at this because I literally had the thought about two weeks ago that I really wanted to climb a tree. I haven't done it in decades and I loved it as a kid. He has a great tree in his front yard, so that's where we went. And it was fun! But also high and I was relying on my less-than-stellar climbing skills.

3) Todd's Van - Ton McNeely offered up a ride in the back of his 1999 Mercury Villager as he drove around downtown Chicago. Sounded interesting and offbeat to me. Once we were in the van, I did have a moment of disappointment thinking it just wasn't dangerous enough. Then we got pursued by an angry driver downtown trying to pass us on a busy street. We almost doored a cab and hit a woman when she opened the cab door into traffic. The best part was when we went on Lower Wacker and got lost in the construction and ended up on a site. The van bottomed out at one point and Todd's poor Villager started overheating. We ended earlier than expected so Todd could cautiously get his van back to Indiana.

4) Bachelors Grove Cemetery - The cemetery itself, while creepy, was not at all dangerous and we never saw any spooky shenanigans. However, getting there and back was a task. We parked south of the cemetery and had to walk through 20-30 minutes of thick woods to get there. We saw some coyotes that left us alone. The main threat to our well-being were thorns and burrs. We were covered with those freaking burrs. Lots of scratches on arms and legs from this one.

5) Speedboat - The first adventure was on Seadog Speedboat cruises off of Navy Pier. To be honest, I felt perfectly safe. They are very professional and it was a lot of fun. We also had jets flying over in preparation for the Air and Water Show. So, really, there was only the potential for danger because of all the elements in place - water, speed, low-flying jets.

6) Urban Farm - One of the first places we decided to go to for me to write was Englewood. Essentially, the shooting mecca of Chicago. My girlfriend works for Growing Home which has an urban farm there. Growing Home is a wonderful, beautiful place. The people are super friendly. The places that surround it also look like cute little homes and we saw kids playing in their front yards. It was everything BUT the preconceived notions I had of Englewood. Getting there was slightly more dangerous. I had to wait 20 minutes for a bus at the redline Garfield stop. Had a guy there ask me if I was a cop. I laughed and he left me alone. I got on the wrong bus and went in the wrong direction and got a tour of some very depressed neighborhoods. I was going to get off the bus and cross the street to catch one going in the right direction and my fellow passengers recommended I NOT do that. Just stay on the bus until it goes where I want.

7) Funhouse - This was a result of another venue that dropped out at the last minute. We were all set for the Chicago Children's Museum. It was to be the one goofy location. Show me writing in the ball pit (Excuse me, Dino Pit, it's filled with dinosaur eggs. Not balls.), show me writing amongst kids running around, etc. Somewhere way up the chain of command, someone got wind of it and decided we were not the kind of folk they wanted hanging out around kids. Understandable. Will Clinger was with me. That guy is a jerk to children. Literally, fifteen minutes before I was scheduled to meet some of the actors there, I went to the Funhouse Maze at Navy Pier and they could not have been more friendly and inviting. And, you know, that maze is pretty cool.

The last script went out to the director last night around 11pm. They are going to work on it all day and perform it tonight with all the other pieces.

The show opens tonight. We have an incredible crew.

Directors: Jason Fleece, Cody Spellman, Cassie Ahiers, Brian Posen, Michael Carnow, Morgan McNaught and John Pierson

Actors: Will Clinger, Jill Olson, Erika Geller, Rebecca Loeser, Ruth Bistrow, Jenni Button, Alee Spadoni, Derrick Gaetke, Chris Waldron, Juliana Brecher, Ashley Turkowski, Megan Chaperon, Natalie Sienicki, Zachary Kirk, Jack Gallagher, Anthony Lombard, John Pierson, Paige Saliba, Ryan Hake, Jared Popkin, Jared Grant and Ricky Staffieri

Stage Manager: Dianna Driscoll assisted by John Pagano.

Produced by the incomparable Don Hall.

Shows are tonight, Friday, Saturday at 8pm. Sunday at 5pm. All at The Strawdog - Mainstage (Yay! Air conditioning.) 3829 N. Broadway between Sheridan and Grace. Easy to get to by bus or L - Sheridan. Parking on the street. Tickets are only ten bucks and available on-line at http://www.brownpapertickets.com/event/265713 or at the door.

Thursday, August 16, 2012

Seven Deadly Playces



The project kicks off today!

I will be at Navy Pier at 2pm to hop on board a speedboat and start writing the first 10-minute play for Jason Fleece and his cast. I'll post pictures later today. Thank you Juliana Brecher and Seadog Speedboat Tours for the hook-up!

Monday, July 9, 2012

Seven Deadly Plays

(Love this picture, but can't take credit for it. Lifted it from the lovely and wonderful The Rant.)


Hello, Friends,

I haven't posted in so long because I'm a dork. I changed the template and in the process somehow eliminated a sign-in link. I locked myself out of my own blog! I'm not exactly sure how I got in, so I figure I better post something while I can.

What's happening?

I recently wrapped up participating in a playwrighting competition for Fine Print Theatre Company. Didn't win, but we made it to the finals. It's a rock musical called Senioritis that I am writing with Pete Ficht, a friend of mine from college. The competition turned out to be a great way to kick us into gear.

For July, I will continue to work on that and today I am going to take a crack at a script for Deathscribe. I love horror, but I find it very difficult to write. The problems I run into are similar to problems many people run into with writing comedy. Everything's already been done. How can I make this interesting and scary? It also must be written for radio, which comes with its own set of challenges. A common mistake people make is creating a dialogue heavy piece. As in stage and film, a ton of dialogue and little action runs the risk of being very boring. Radio is a visual medium. It's about painting vivid pictures in people's heads that tell a story. I have half a kernel of an idea that I will see if I still like by the end of the day.

The next big thing is... Seven Deadly Plays. Don Hall and I have had many conversation about how to follow-up 365 Sketches and 50 Plays. I have fallen in love with tight deadlines and wanted to emulate many of the 24-Hour projects I have participated in. I also wanted to challenge myself on where I write and see how environment can affect content. Thus, Seven Deadly Plays. Each ten minute play will be written in a day by me on my iPad in a potentially dangerous location. Some spots we've tossed around are the ferris wheel at Navy Pier, a sewage treatment plant, the shark tank at Shedd, on a street corner in Englewood, observation deck at Sears Tower. If you have any suggestions, please post them in the comments section. Would love to have a bigger list to whittle down. Each short play will also use that location for its setting.

We open Thursday, August 23rd on the mainstage (air conditioned!) of The Strawdog Theatre. Eight days out, I will start writing the first play. That means the first group will have a week to put their play together and the last brave group will have the day of opening night. As in many of the 50 Plays, the director and cast for each play will be predetermined and I will be writing a piece for them.

We also might be doing a latenight series that week in Hugen Hall. If we're able to do something, it will either be drawing from monologues from 365 and 50 or more workshopping of Seniroitis. Or both.

I'll keep you updated, assuming I don't lock myself out of my blog, again. Hope you can make it to the shows.


Friday, May 11, 2012

A Perfect Flower

A perfect flower, in the world of botany, has both stamens and carpels.



The stamen is the pollen-bearing organ of a flower, also known as the male part.

A carpel is a simple pistil, the female part.

A perfect flower has both male and female parts.

 

A perfect flower can go fuck itself.

Wednesday, April 4, 2012

Kidnapping My Best Friend

This is a story I told recently at This Much Is True. A great storytelling event held at the Hopleaf once a month. Get there early, it fills up fast and is often standing room only. The night I was there was no different. There were even people seated behind the storytellers, thus the reference to my bottom. Enjoy.


Friday, March 23, 2012

Pretty From A Distance

Robot vs. Dinosaur's new show opens TONIGHT!




The RvD writers (clockwise from left) Nat Topping, Me, Susie Gutowski, Becca Levine, Greg Wendling, Chris Othic and Rammel Chan
 
Robot vs. Dinosaur Presents: PRETTY FROM A DISTANCE


The cast of Pretty from a Distance (l-r) Mike Johnson, Nat Topping, Torian Miller, Susie Gutowski, Rammel Chan and Becca Levine

 
Friday and Saturday nights at 7:30pm
March 23-April 7

Luna Central
3914 N. Clark St.
Chicago, IL 60613

$15

www.teatroluna.org
 Tickets may be purchased at the door or in advance on-line by clicking HERE
 
Like the Horsehead Nebula poised over Orion’s nether-regions, Robot vs. Dinosaur’s latest sketch show, Pretty from a Distance, is a beacon to souls lost in the universe. Directed by RvD veteran Chris Othic, the 75-minute show addresses big questions about our place in the universe and the rituals of life. Unlike a lot of sketch comedy, it's got a lot of heart and minimal dick jokes. We think you'll like it and leave the theater chanting ""Not insignificant, but insignif-I-CAN!"
Starring:
Rammel Chan
Susie Gutowski
Mike Johnson
Becca Levine
Torian Miller
Nat Topping

Directed by Chris Othic
 
 This is a remount of sorts of the sold out show we did at Sketchfest this year. So, if you missed that, come see this! If you saw that, come see this! We added 20-30 minutes of new material and two new actors. Mike Johnson, an old friend of RvD's, is back playing with us and making his debut with us is Torian Miller. The show also features two pieces I wrote that I also regard as two of my favorites. There's Dolphin Encounter featuring Nat Topping as a disgruntled dolphin people pay to "swim" with and Boris vs. Nature featuring Mike as the husband of a small family having a stare down with a giraffe at the zoo. That piece first appeared in 365 Sketches and I re-wrote it for this show.

I'm very proud of this show and hope you check it out. Everyone is operating at the top of their game. This may just be our best show from the top-notch writing to the excellent comic acting to Chris's confident direction.



Wednesday, January 4, 2012

What The What



Howdy!

Been a long time since I updated the ol' blog, so here's a bit of a round-up of what I have been up to.

- I have two shows opening this week! One is a very funny Writing 6 show I directed Fridays at 7:30pm in the de MAAT at Second City. It's called Ground Control To Planet Keith. You can get info on it by clicking HERE. Chicago Sketchfest starts this week. You can see me in a show I co-wrote, Robot vs. Dinosaur's Pretty From A Distance. It's this coming Saturday at 7pm in the Thrust Theater. One show only. You can get ticket info HERE.

- I just got back from a two-week vacation where my girlfriend and I logged over 3400 miles driving. We visited a lot of family and friends. We went from Chicago to Clarksville, Tennessee to Nashville to Orlando to Lake Worth, Florida to Elkin, North Carolina to Scranton, Pennsylvania to Streetsboro, Ohio to Port Clinton, Ohio back to Chicago. Aside from meeting many great people and reconnecting with family, highlights included spending a day at Disneyworld and park hopping - Disney Hollywood to Epcot to The Magic Kingdom. And while it sucked to have our drive disrupted by snow and ice, we did spend the night in the Presidential Suite of a Holiday Inn Express in Streetsboro, Ohio. It was the first time I got to use my AARP discount! The hot tub in the bedroom was worth the extra dollars. Best night of sleep I had our whole trip. Stopping in Elkin was also an added bonus. We stayed at a friend's mother's house. It was gorgeous. They fed us well, too, and turned us on to a local winery where we bought some Booger Swamp White wine. How could we not buy that? The absolute best thing about the trip, though, is that my girlfriend and I still love each other. In spite of my occassional donning of grumpypants after some long hauls on the road.

- I have another 10-Minute Play class starting this Saturday at 1pm at The Second City Training Center. There are still a few slots left. You can get more info by clicking HERE.

- I have been busy writing a one-act play for a cool WNEP project that will be in the spring and the wheels are turning for another 365 Sketches/50 Plays type of event for June.

- With all the writing projects I have, I just don't update this ol' blog as much anymore. For more consistent info from me, follow me on Twitter and Instagram, joejanes1065, or subscribe to my Facebook page.

- Happy New Year. May it be full of health, happiness and all kinds of blow jobs - emotional and physical.





Monday, October 24, 2011

Writng The 10-Minute Play with Joe Janes



WRITING THE 10-MINUTE PLAY
with Joe Janes

Classes start THIS Saturday (October 29th) and there are still slots left.

What is the difference between a 5-minute sketch and a 10-minute play?  That extra four minutes means everything in this course that will explore character, story and subtext. 

During this 8 week course, students will...

- complete and revise 3-5 10-minute plays that will be ready for submitting to contests or festivals
- experience writing for a director and cast in the same manner used to develop "50 Plays"
- see their work performed before an audience in a staged reading by experienced actors

$340/$310 early registration, 8 weeks, 3 hours

Prerequisite: Writing 6 or Approval by Instructor

To register, call the training center at 312-664-3959 or click HERE

To request approval for admission, e-mail me at jjanes@secondcity.com




Wednesday, September 14, 2011

I Believe...



...that the biggest issue facing our country right now is doing what it takes to put Americans to work and restoring the middle class. As long as politicians can be bought by corporations, that's not likely to happen.

...that, while the idea that one should set aside a day for rest resides primarily in superstitions and myth, it's still a pretty freakin' good idea. (Straight from the AWG. I wholeheartedly agree. I take Sundays off.)

...that threats of physical violence are worthless and when, on that rare occasion carried out, are weak.

...that shit gets real when teenagers are shot in one's neighborhood a few blocks from where one lives.

...that one should question what one believes. Did you earn that belief or did you buy (swallow) it without question? Question everything. Even yourself.

Thursday, August 18, 2011

Schedule Change for 50 Plays August 20th!

August 20

Derek Is An Asshole – Jeff Bouthiette

Scratch’d – Hank Boland

The Saddest vacant Lot In The World – Jay Steigmann

Burka Betty - Kyra Lewandowski

Wednesday, August 10, 2011

ONLY THREE SHOWS LEFT!!!

(The Best of) 50 Plays by Joe Janes

ONLY THREE SHOWS LEFT!!!



(Dana Black in Berka Betty)

“Silly. Bizarre. Violent. Provocative.” – The Chicago Reader

Donny's Skybox Theater @ Second City, 1608 N. Wells, 4th Floor

Saturdays at 7:30 p.m. – August 20, 27 and September 3

$13.00 General Admission

$10.00 for Students

$8.00 for Students of the Second City Training Center

Go to www.secondcity.com for on-line sales or purchase at the door

Tuesday, August 2, 2011

(The Best Of) 50 Plays - Reader Review


Brian Costello from The Chicago Reader came to our opening night.

Here are some quotes...

"silly, bizarre, violent, and provocative"

"...the pieces showcase Janes's willingness to take risks of all kinds."


You can read the rest of the review HERE.

Twilight


It is not unusual for me to read a book long after its been published or not see a movie until it comes to DVD (or, now, streaming on Netflix). This is especially so if it is something that is wildly popular. Seems the more popular it is, the less interested I am. Maybe this goes back to my general attitude in high school, which applied mostly to other students and Top 40 music. If everybody likes it, I probably won't.

Once in a writing class I was teaching, I had a student who wrote a parody of Twilight. It was clear she had not read the book. Even though I hadn't either, she just wasn't able to address some of the logic issues I was having. My advice to her, and I stand by this, is that if you want to poke fun at something, you have to know it well. Read the book. The first film had yet to be made. Read the book, then write the scene. She cursed me, read the book, cursed me some more, and wrote a very funny scene poking fun at the over-the-top soap opera antics of Stephenie Meyer's Twilight.

Had I given that advice to me, I simply would have written something else and skip the pain of reading a 500-page book about dreamy vampires in love. My resistance to the book is also rooted in my love and affection for Buffy, the Vampire Slayer. High school. Vampires. Been there. Loved it. Don't spoil it for me. I once almost watched the first Twilight film. I'm a whore for free preview weekends on cable. However, I almost always have bad timing for them and hardly ever see anything I really want. Twilight was on. I left it on while I did other things. Pretty sure I followed the story pretty well, too, with only a few glances at the screen.

I know I did, because I recently read the book. On a challenge. This isn't a story about how I have been turned around and am now a fan. Far from it. However, I do have a different appreciation for it. Considered in the right context, it's actually a really enticing book. Weighed as a book for adults? Keep it away from my bookshelves, please. It's sort of like Rebecca Black's debut music video Friday. It's horrible. But when you consider she's barely in her mid-teens, well, then, that's a pretty damn impressive video, don't you think?

Twilight is a book written for young adults. That's the section I found it in after overcoming my embarrassment to ask the store clerk to help me find it. This book is not for grown-ups. You want grown-up literary vampires, hit up Anne Rice. These are vampires written for teens. Specifically, teenage girls. This book hits its target. Not me. It's also written in the first person of Bella, the smart, but klutzy girl who doesn't realize how good lookin' she is until all the boys at her new school fall all over themselves to meet her. All of them, except the broody Edward. Who can sometimes be nice. It reads like her diary. It's like peeking in on her most intimate thoughts, something her glistening mind-reading vampire boyfriend can't even do. It's made to stir the loins of young girls. Not my much older, hairier loins.

This book is not for me. It's for teenage girls. Or the teenage girl in you. For me to bitch about its existence is ridiculous. It was not designed with middle-aged bald guys in mind. For me to complain about it is like me lamenting about Sesame Street being condescending to adults or Divine Secrets of the Ya-Ya Sisterhood failure to show an adult male perspective.

Now, I have read books for young adults that I enjoy. They do exist. But whether I enjoy them or not is moot. What matters is if the target audience enjoys it. Clearly, my Twilight book knows who it wants turning its pages.

So, if you're an awkward, but smart and somewhat pretty teenage girl, you'll probably really enjoy this book or the film. If you are not, watch Daybreakers. Good vampire movie. The kind where vampires actually kill people.

Friday, July 22, 2011

(The Best Of) 50 Plays




This looks like it will be the shows that will be representing "50 Plays" during our run at the Skybox. Your opportunity to see some of the shows you missed or see some of the ones you liked again. Click on the "50 Plays" image at the top of the right hand column for tickets and info.


50 Plays Skybox Shows
July 30
A Love That Lasts Forever – Jen Ellison
Baby Blue Sedan – Cody Spellman
Four Men – Jason Fleece
Burka Betty – Kyra Lewandowski

August 6
Suddenly Stupid – George Lyons
Peter Pain – Dina Klahn
Baby Blue Sedan – Cody Spellman
Beat Noir – Bina Martin

August 13
Breakfast with Burt and Birdie – Rebekah Walendzak
The Machine Breaks Down– Don Hall
Scratch’d– Hank Boland
Mango Mouth– Emily Darlington Cooke
Burka Betty - Kyra Lewandowski

August 20
The Saddest vacant Lot In The World – Jay Steigmann
Butterfly Jar – Sydney Chatman
Derek Is An Asshole – Jeff Bouthiette
Burka Betty - Kyra Lewandowski

August 27
Moving Box – Rob Colletti
Violent Femmes - Leitia Guillard
Belmont – Hank Hilbert
Rover from Dover – Rich Cotovsky
Burka Betty - Kyra Lewandowski

Sept 3
Moving Box – Rob Colletti
Express Yourself – Cassie Ahiers
Hogan’s Real Piesca – Megan Smith
Burka Betty - Kyra Lewandowski

Friday, July 1, 2011

Next

(Dana Black in "Burka Betty" directed by Kyra Lewandowski which will be in the Skybox shows.
Photo by Stephanie Douglass)


50 Plays went well. For an event that crammed 50 directors and their casts (of over 200) into two weekends at Strawdog's Hugen Hall, things could not have gone better. Next up will be the (The Best of) 50 Plays at Second City's Donny's Skybox July 30th- Sept 3rd. Saturdays at 7:30pm.

Many people asked me how this compared to 365 Sketches. Both had their challenges. 365 was certainly more grueling. The writing process was more grueling, at times, and when we presented the shows they were over 11 consecutive nights, including midnight shows on Friday and Saturdays. We were pretty loopy by the end of it. 50 Plays had its technical and logistical challenges simply because we bumped up from 26 directors to 50 and the number of actors increased. Scheduling techs and shows was a small nightmare. Creating theme-based evenings got thrown out the window quickly because there were too many scheduling conflicts to juggle. We (and by "we" I mean "I") screwed up scheduling the shows and it wasn't caught until we were between weekends. This resulted in an encore performance of Baby Blue Sedan on the second Thursday and the addition of Belmont to the second weekend's Friday 8pm show. It's all good, though. Both were great shows. I hope you get to catch some of the Skybox shows.

Don has a nice summation of the Strawdog weekends on his blog. Click here.

Saturday, June 25, 2011

50 Plays - June 25, 2011 10:30pm


The final five. No cylons were harmed during this prouction.

Saturday, June 25 10:30pm

Hogan's Real Piesca – director: Megan A. Smith – cast: Bekki Anderson, Kurt Lewis, Dustin Levell, Bruce Phillips. Special Thanks to Joe for letting us play, Chris LaPorte, PlayingInPeoria.org


Derek Is An Asshole – director: Jeff Bouthiette – cast: Allen Doederlein and Maria Margaglione


Violent Femmes – director: Letitia Guillard – cast: Shannon Bracken, Emily Harpe, Maria Burnham, Christine Harrison. Fight design - Dustin Spence


Butterfly Jar – director: Sydney Chatman – cast: Victoria Caciopoli (a member of Actor's Equity), Antoine Pierre Whitfield


Steampunk Moonstomp – director: Rebecca Langguth – cast: Kim Boler, John Sundholm, Audery Naomi Smith


The Directors


Megan A. Smith is the Executive Director and Ensemble Member for Sideshow Theatre Company, where she co-directed Theories of the Sun by Kathleen Akerley, Ekphrasis by Warren Perry, and a staged reading of Lanterns on Lamar also by Warren Perry and Fugitive Motel by Walt McGough ( Bailiwick Director’s Festival). Megan also proudly wrestles as The Cutting Edge for the Chicago League of Lady Arm Wrestlers, with an upcoming match on July 2nd!

Jeffrey Bouthiette is Artistic Director of Bare Boned Theatre and Head of the Music Program at the Second City Training Center. For BBT, he has directed The Hecubae (at the Raven Theatre) as well as many episodes of the live action soap opera, The Ville. He assisted on Victory Gardens' production of Love Person, and directed Sketchtopia, VG’s 2009 Access Project readings. He also directs the Second City Training Center's short-form musical improv ensemble, Infinite Sundaes.

Letitia Guillaud is a writer, director, actor, and improvisor living and working in Chicago. She is a co-founding member of Strangeloop Theatre and artistic associate of Chemically Imbalanced Comedy.


Sydney Chatman is a director, producer, writer, teacher and founder of The Tofu Chitlin’ Circuit (The TCC) a theater conservatory on the south side of Chicago. Ms. Chatman was a fellow of the Lincoln Center’s Director’s Lab in New York. Notable directing credits include the Chicago One Minute Play Festival at Victory Gardens, WBEZ Off-Air Series Theater Abridged, The Actor’s Rap by J. Kyle Manzay (reading), Safia Bernard’s Relationship Games, Let the Circle be Unbroken at Apple Tree Theater, Heads by EM Lewis, Poof!, Sugar Mouth Sam Don’t Dance No More, For Colored Girls, Beulah’s Land, and The Mojo and the Sayso. She has worked on The World Premiere of August Wilson’s Gem of the Ocean (intern), St. James Infirmary directed by Harry Lennix, King of Coons directed by Harry Lennix, A Soldier’s Play directed by Chuck Smith and Spunk directed by Cheryl Lynn Bruce among other notable productions. She is a former artistic associate with Congo Square Theatre. Ms. Chatman is the performing arts instructor at NKO Charter School.


Rebecca Langguth is a member of WNEP Theater. She is a writer, director and performer who is continually inspired by both this city and the people who inhabit it. Many thanks to Joe, Don and Jessica and my lovely cast.


Why see this show?


Because it's the last frakin' show of the bunch! This is a fun block. It has two sci-fi pieces. Hogan's Real Piesca is very intricate and I had to keep going back to the script to make sure the logic about marrying halograms was consistent. Steampunk Moonstomp is a just plain fun space adventure. Violent Femmes is an all-female super hero adventure. Derek Is An Asshole and Butterfly Jar focus on two people telling the story of their relationship, but both in very different styles. It's a good mix of the ridiculous and the sweet and sore spots about relationships. A nice way to end the run.


For tickets and more information, click HERE.

50 Plays - June 25, 2011 8:00pm




The second-to-the-last show!

Saturday, June 25 8pm


Butterfly Knife – director: John Pierson – cast: Eric T. Roth, Paige Saliba, Clifton Frei, Mathew Hope, Erin Orr


Scratch’d – director: Hank Boland – cast: the voice talents of Strawdog Ensemble Members Anita Deely, Shannon Hoag, Kyle Hamman, Hank Boland and guest artist Pat Whalen.


Peter Pain – director: Dina Marie Klahn – cast: Brooke Johnson, Erin Morrill, Emme Williams


Effluvia Falls – director: Regan Davis – cast: Patrick Kelly, Mikayla Brown, Brenda Kelly, Jonathan Sales, Aaron Pagel, Craig Rennak


All Things Foul – director: Patrick Kelly – cast: Laurens Wilson, Erin Wilson, Alex Farrington. Special thanks: Regan Davis (graphic design)


The Directors


John Pierson has been a Neo-Futurist since 1996. Recently he has co-written and performed in three critically acclaimed shows, Crisis: A Musical Game Show, Daredevil’s Hamlet, and FEAR. He directed LAID in which he had the honor of working with fellow theater stalwarts Joe Janes and Don Hall. He released his 20th record, Thresholds From The Basement, with his band Even In Blackouts and finished his second novel, The Last Temptation Of Clarence Odbody. The novel hits the streets in October 2011.


Hank Boland has been an adjunct Faculty member of the Film Department of Columbia College Chicago since 2004. Additionally, Hank has designed and taught seminars on topics such as Audio Theatre, Personal Essay and Monologues, and 10-minute Plays. In addition to teaching, Hank is a writer with works including commissions by 2nd Story, and Strawdog Theatre Company, as well as four musical comedies which have collectively had over two hundred productions around the world. Hank is a proud ensemble member, and the Managing Director, of Strawdog Theatre Company.


Dina Marie Klahn is currently the resident stage manager for the Old World Theatre company based in Skokie IL. She is a recent graduate of UIC with a bachelor's in directing and design. Although she loves stage management she aspires to be a prominent director in Chicago specializing in feminist and educational theatre. Dina Marie would like to thank her amazing boyfriend Kevin for putting up with her crazy schedule and her gorgeous cast for being sexy and talented.


Regan Davis is an improviser, actor, and director originally from St. Petersburg, Florida. He has directed improv, sketch, and plays both in Florida and Chicago. Previously he directed one of the many sketch shows for Joe Janes' 365Sketches; Status, River Lethe, and the Steps for Theatre Momentum; Straining to Be Hip for Bookstore Productions; and groups for the Miami Improv Festival and the Dirty South Improv Festival in Chapel Hill, NC.


Patrick Kelly is thrilled to finish his Chicago tenure the same way it began: working alongside Joe Janes and Don Hall. Patrick directed for 2nd Story and appeared onstage in WNEP’s The (Edward) Hopper Project, 365 Sketches by Joe Janes, and most recently in Robot vs. Dinosaur’s Viking Women. Patrick leaves Chicago at the end of June to pursue his MFA in acting at NYU/Tisch. Thanks to Joe, Don, the cast and crew, and Martha.


Why see this show?


Well, first off, it's our last night! See 50 Plays before it's gone. I like this block. It contains the creative insanity of John Pierson, one of my favorite peeps in the world who directed Don Hall and I in our Sketchfest show, Don Hall and Joe Janes Are Using This Show To Try To Get Laid. I sat in on a Butterfly Knife rehearsal a few weeks ago. He has assembled a brilliant cast and the piece is some crazy fun noir. The evening also features two radio pieces with two distinct approaches. Scrath'd is a horror piece and Hank chose to present it as such with a few live enhancements. Effluvia Falls is one of my favorite pieces from The Armageddon Radio Hour. Regan is presenting as a cast doing a live radio show. Peter Pain is a "what happened after?" story of Peter Pan and Dina's cast is superbly cast and would give any regular cast of Peter Pan a run for their money. All Things Foul was fun to write, although it took a little longer than most of the pieces. This is pretty much Macbeth in a right wing Christain fundamentalist church.


For tickets and information, click HERE.