Tuesday, August 2, 2011

Twilight


It is not unusual for me to read a book long after its been published or not see a movie until it comes to DVD (or, now, streaming on Netflix). This is especially so if it is something that is wildly popular. Seems the more popular it is, the less interested I am. Maybe this goes back to my general attitude in high school, which applied mostly to other students and Top 40 music. If everybody likes it, I probably won't.

Once in a writing class I was teaching, I had a student who wrote a parody of Twilight. It was clear she had not read the book. Even though I hadn't either, she just wasn't able to address some of the logic issues I was having. My advice to her, and I stand by this, is that if you want to poke fun at something, you have to know it well. Read the book. The first film had yet to be made. Read the book, then write the scene. She cursed me, read the book, cursed me some more, and wrote a very funny scene poking fun at the over-the-top soap opera antics of Stephenie Meyer's Twilight.

Had I given that advice to me, I simply would have written something else and skip the pain of reading a 500-page book about dreamy vampires in love. My resistance to the book is also rooted in my love and affection for Buffy, the Vampire Slayer. High school. Vampires. Been there. Loved it. Don't spoil it for me. I once almost watched the first Twilight film. I'm a whore for free preview weekends on cable. However, I almost always have bad timing for them and hardly ever see anything I really want. Twilight was on. I left it on while I did other things. Pretty sure I followed the story pretty well, too, with only a few glances at the screen.

I know I did, because I recently read the book. On a challenge. This isn't a story about how I have been turned around and am now a fan. Far from it. However, I do have a different appreciation for it. Considered in the right context, it's actually a really enticing book. Weighed as a book for adults? Keep it away from my bookshelves, please. It's sort of like Rebecca Black's debut music video Friday. It's horrible. But when you consider she's barely in her mid-teens, well, then, that's a pretty damn impressive video, don't you think?

Twilight is a book written for young adults. That's the section I found it in after overcoming my embarrassment to ask the store clerk to help me find it. This book is not for grown-ups. You want grown-up literary vampires, hit up Anne Rice. These are vampires written for teens. Specifically, teenage girls. This book hits its target. Not me. It's also written in the first person of Bella, the smart, but klutzy girl who doesn't realize how good lookin' she is until all the boys at her new school fall all over themselves to meet her. All of them, except the broody Edward. Who can sometimes be nice. It reads like her diary. It's like peeking in on her most intimate thoughts, something her glistening mind-reading vampire boyfriend can't even do. It's made to stir the loins of young girls. Not my much older, hairier loins.

This book is not for me. It's for teenage girls. Or the teenage girl in you. For me to bitch about its existence is ridiculous. It was not designed with middle-aged bald guys in mind. For me to complain about it is like me lamenting about Sesame Street being condescending to adults or Divine Secrets of the Ya-Ya Sisterhood failure to show an adult male perspective.

Now, I have read books for young adults that I enjoy. They do exist. But whether I enjoy them or not is moot. What matters is if the target audience enjoys it. Clearly, my Twilight book knows who it wants turning its pages.

So, if you're an awkward, but smart and somewhat pretty teenage girl, you'll probably really enjoy this book or the film. If you are not, watch Daybreakers. Good vampire movie. The kind where vampires actually kill people.

Friday, July 22, 2011

(The Best Of) 50 Plays




This looks like it will be the shows that will be representing "50 Plays" during our run at the Skybox. Your opportunity to see some of the shows you missed or see some of the ones you liked again. Click on the "50 Plays" image at the top of the right hand column for tickets and info.


50 Plays Skybox Shows
July 30
A Love That Lasts Forever – Jen Ellison
Baby Blue Sedan – Cody Spellman
Four Men – Jason Fleece
Burka Betty – Kyra Lewandowski

August 6
Suddenly Stupid – George Lyons
Peter Pain – Dina Klahn
Baby Blue Sedan – Cody Spellman
Beat Noir – Bina Martin

August 13
Breakfast with Burt and Birdie – Rebekah Walendzak
The Machine Breaks Down– Don Hall
Scratch’d– Hank Boland
Mango Mouth– Emily Darlington Cooke
Burka Betty - Kyra Lewandowski

August 20
The Saddest vacant Lot In The World – Jay Steigmann
Butterfly Jar – Sydney Chatman
Derek Is An Asshole – Jeff Bouthiette
Burka Betty - Kyra Lewandowski

August 27
Moving Box – Rob Colletti
Violent Femmes - Leitia Guillard
Belmont – Hank Hilbert
Rover from Dover – Rich Cotovsky
Burka Betty - Kyra Lewandowski

Sept 3
Moving Box – Rob Colletti
Express Yourself – Cassie Ahiers
Hogan’s Real Piesca – Megan Smith
Burka Betty - Kyra Lewandowski

Friday, July 1, 2011

Next

(Dana Black in "Burka Betty" directed by Kyra Lewandowski which will be in the Skybox shows.
Photo by Stephanie Douglass)


50 Plays went well. For an event that crammed 50 directors and their casts (of over 200) into two weekends at Strawdog's Hugen Hall, things could not have gone better. Next up will be the (The Best of) 50 Plays at Second City's Donny's Skybox July 30th- Sept 3rd. Saturdays at 7:30pm.

Many people asked me how this compared to 365 Sketches. Both had their challenges. 365 was certainly more grueling. The writing process was more grueling, at times, and when we presented the shows they were over 11 consecutive nights, including midnight shows on Friday and Saturdays. We were pretty loopy by the end of it. 50 Plays had its technical and logistical challenges simply because we bumped up from 26 directors to 50 and the number of actors increased. Scheduling techs and shows was a small nightmare. Creating theme-based evenings got thrown out the window quickly because there were too many scheduling conflicts to juggle. We (and by "we" I mean "I") screwed up scheduling the shows and it wasn't caught until we were between weekends. This resulted in an encore performance of Baby Blue Sedan on the second Thursday and the addition of Belmont to the second weekend's Friday 8pm show. It's all good, though. Both were great shows. I hope you get to catch some of the Skybox shows.

Don has a nice summation of the Strawdog weekends on his blog. Click here.

Saturday, June 25, 2011

50 Plays - June 25, 2011 10:30pm


The final five. No cylons were harmed during this prouction.

Saturday, June 25 10:30pm

Hogan's Real Piesca – director: Megan A. Smith – cast: Bekki Anderson, Kurt Lewis, Dustin Levell, Bruce Phillips. Special Thanks to Joe for letting us play, Chris LaPorte, PlayingInPeoria.org


Derek Is An Asshole – director: Jeff Bouthiette – cast: Allen Doederlein and Maria Margaglione


Violent Femmes – director: Letitia Guillard – cast: Shannon Bracken, Emily Harpe, Maria Burnham, Christine Harrison. Fight design - Dustin Spence


Butterfly Jar – director: Sydney Chatman – cast: Victoria Caciopoli (a member of Actor's Equity), Antoine Pierre Whitfield


Steampunk Moonstomp – director: Rebecca Langguth – cast: Kim Boler, John Sundholm, Audery Naomi Smith


The Directors


Megan A. Smith is the Executive Director and Ensemble Member for Sideshow Theatre Company, where she co-directed Theories of the Sun by Kathleen Akerley, Ekphrasis by Warren Perry, and a staged reading of Lanterns on Lamar also by Warren Perry and Fugitive Motel by Walt McGough ( Bailiwick Director’s Festival). Megan also proudly wrestles as The Cutting Edge for the Chicago League of Lady Arm Wrestlers, with an upcoming match on July 2nd!

Jeffrey Bouthiette is Artistic Director of Bare Boned Theatre and Head of the Music Program at the Second City Training Center. For BBT, he has directed The Hecubae (at the Raven Theatre) as well as many episodes of the live action soap opera, The Ville. He assisted on Victory Gardens' production of Love Person, and directed Sketchtopia, VG’s 2009 Access Project readings. He also directs the Second City Training Center's short-form musical improv ensemble, Infinite Sundaes.

Letitia Guillaud is a writer, director, actor, and improvisor living and working in Chicago. She is a co-founding member of Strangeloop Theatre and artistic associate of Chemically Imbalanced Comedy.


Sydney Chatman is a director, producer, writer, teacher and founder of The Tofu Chitlin’ Circuit (The TCC) a theater conservatory on the south side of Chicago. Ms. Chatman was a fellow of the Lincoln Center’s Director’s Lab in New York. Notable directing credits include the Chicago One Minute Play Festival at Victory Gardens, WBEZ Off-Air Series Theater Abridged, The Actor’s Rap by J. Kyle Manzay (reading), Safia Bernard’s Relationship Games, Let the Circle be Unbroken at Apple Tree Theater, Heads by EM Lewis, Poof!, Sugar Mouth Sam Don’t Dance No More, For Colored Girls, Beulah’s Land, and The Mojo and the Sayso. She has worked on The World Premiere of August Wilson’s Gem of the Ocean (intern), St. James Infirmary directed by Harry Lennix, King of Coons directed by Harry Lennix, A Soldier’s Play directed by Chuck Smith and Spunk directed by Cheryl Lynn Bruce among other notable productions. She is a former artistic associate with Congo Square Theatre. Ms. Chatman is the performing arts instructor at NKO Charter School.


Rebecca Langguth is a member of WNEP Theater. She is a writer, director and performer who is continually inspired by both this city and the people who inhabit it. Many thanks to Joe, Don and Jessica and my lovely cast.


Why see this show?


Because it's the last frakin' show of the bunch! This is a fun block. It has two sci-fi pieces. Hogan's Real Piesca is very intricate and I had to keep going back to the script to make sure the logic about marrying halograms was consistent. Steampunk Moonstomp is a just plain fun space adventure. Violent Femmes is an all-female super hero adventure. Derek Is An Asshole and Butterfly Jar focus on two people telling the story of their relationship, but both in very different styles. It's a good mix of the ridiculous and the sweet and sore spots about relationships. A nice way to end the run.


For tickets and more information, click HERE.

50 Plays - June 25, 2011 8:00pm




The second-to-the-last show!

Saturday, June 25 8pm


Butterfly Knife – director: John Pierson – cast: Eric T. Roth, Paige Saliba, Clifton Frei, Mathew Hope, Erin Orr


Scratch’d – director: Hank Boland – cast: the voice talents of Strawdog Ensemble Members Anita Deely, Shannon Hoag, Kyle Hamman, Hank Boland and guest artist Pat Whalen.


Peter Pain – director: Dina Marie Klahn – cast: Brooke Johnson, Erin Morrill, Emme Williams


Effluvia Falls – director: Regan Davis – cast: Patrick Kelly, Mikayla Brown, Brenda Kelly, Jonathan Sales, Aaron Pagel, Craig Rennak


All Things Foul – director: Patrick Kelly – cast: Laurens Wilson, Erin Wilson, Alex Farrington. Special thanks: Regan Davis (graphic design)


The Directors


John Pierson has been a Neo-Futurist since 1996. Recently he has co-written and performed in three critically acclaimed shows, Crisis: A Musical Game Show, Daredevil’s Hamlet, and FEAR. He directed LAID in which he had the honor of working with fellow theater stalwarts Joe Janes and Don Hall. He released his 20th record, Thresholds From The Basement, with his band Even In Blackouts and finished his second novel, The Last Temptation Of Clarence Odbody. The novel hits the streets in October 2011.


Hank Boland has been an adjunct Faculty member of the Film Department of Columbia College Chicago since 2004. Additionally, Hank has designed and taught seminars on topics such as Audio Theatre, Personal Essay and Monologues, and 10-minute Plays. In addition to teaching, Hank is a writer with works including commissions by 2nd Story, and Strawdog Theatre Company, as well as four musical comedies which have collectively had over two hundred productions around the world. Hank is a proud ensemble member, and the Managing Director, of Strawdog Theatre Company.


Dina Marie Klahn is currently the resident stage manager for the Old World Theatre company based in Skokie IL. She is a recent graduate of UIC with a bachelor's in directing and design. Although she loves stage management she aspires to be a prominent director in Chicago specializing in feminist and educational theatre. Dina Marie would like to thank her amazing boyfriend Kevin for putting up with her crazy schedule and her gorgeous cast for being sexy and talented.


Regan Davis is an improviser, actor, and director originally from St. Petersburg, Florida. He has directed improv, sketch, and plays both in Florida and Chicago. Previously he directed one of the many sketch shows for Joe Janes' 365Sketches; Status, River Lethe, and the Steps for Theatre Momentum; Straining to Be Hip for Bookstore Productions; and groups for the Miami Improv Festival and the Dirty South Improv Festival in Chapel Hill, NC.


Patrick Kelly is thrilled to finish his Chicago tenure the same way it began: working alongside Joe Janes and Don Hall. Patrick directed for 2nd Story and appeared onstage in WNEP’s The (Edward) Hopper Project, 365 Sketches by Joe Janes, and most recently in Robot vs. Dinosaur’s Viking Women. Patrick leaves Chicago at the end of June to pursue his MFA in acting at NYU/Tisch. Thanks to Joe, Don, the cast and crew, and Martha.


Why see this show?


Well, first off, it's our last night! See 50 Plays before it's gone. I like this block. It contains the creative insanity of John Pierson, one of my favorite peeps in the world who directed Don Hall and I in our Sketchfest show, Don Hall and Joe Janes Are Using This Show To Try To Get Laid. I sat in on a Butterfly Knife rehearsal a few weeks ago. He has assembled a brilliant cast and the piece is some crazy fun noir. The evening also features two radio pieces with two distinct approaches. Scrath'd is a horror piece and Hank chose to present it as such with a few live enhancements. Effluvia Falls is one of my favorite pieces from The Armageddon Radio Hour. Regan is presenting as a cast doing a live radio show. Peter Pain is a "what happened after?" story of Peter Pan and Dina's cast is superbly cast and would give any regular cast of Peter Pan a run for their money. All Things Foul was fun to write, although it took a little longer than most of the pieces. This is pretty much Macbeth in a right wing Christain fundamentalist church.


For tickets and information, click HERE.

Wednesday, June 22, 2011

50 Plays - June 24, 2011 10:30pm


We close out the Friday shows with some insanity, a few messes and a surprise that I can't tell you about because it's a surprise.

Friday June 24 10:30pm

Forgotten Dreams – director: David Rocco Facchini – cast: Maureen Allen, Bryan Dawidowicz, Brian Hurwitz

The Machine Breaks Down – director: Don Hall – cast: Erin Orr, Peter Kremidas VO: Paul Friedman, Peter Sagal, Carl Kasell, Melba Lara, Don Hall

Luna Teak and Tong – director: Rinska Prestinary – cast: Lacy Katherine Campbell, Rinska Prestinary


Jughead – director: Brian Posen – cast: Teagan Walsh Davis, Lisa Duke, Jonathan Hymen, Ryan Brinkerhoff


Automatic Teller Machine Machine – director: Michael A. Rose – cast: Megan Captaine, Stacey High, Keith Gatchel, KaCee J. Hudson


The Directors


David Rocco Facchini suffered major withdrawal after such a fulfilling experience directing Disco Heaven as a part of Joe Janes 365 Sketches last year. He tried to fill his emptiness in the interim by directing Planet Karate –A Butt-Kicking Play at both the Second City and Annoyance Theatres, writing and directing for his sketch comedy group *Creepy Hug, editing and producing Second City’s weekly video festival 7 Day Shorts – Chicago and even getting in front of the camera in webisodes of Two-Minute Meals with Champ. It just hasn’t been enough though, so he appreciates returning to the Straw Dog Theatre and would like to thank Don, Spanky and Pagano, along with his wonderful cast; Brian, Bryan and Mo. But mostly, David is thankful to his therapist for strongly suggesting to Joe that allowing David to direct in 50 Plays would be in everyone’s best interest. Thanks Joe.


Don Hall is the Founding Director of Chicago's fringey WNEP Theater, where he has produced over 125 World Premieres and directed 35 - 50 of them since 1992. He directs shows around town for money (or the satisfaction of directing something unique). He's also an actor and has performed in shows by Second City, WNEP Theater, The Mammals, Chicago ComedySportz, Chemically Imbalanced Comedy, Livewire Theater, and others. Don also works as the Events Coordinator for WBEZ where he has produced dozens of events and is also the House Manager/Production Manager/Audience Services Manager for NPR'sWait Wait...Don't Tell Me! and directed the Audible Feast for WBEZ featuring NPR luminariesScott Simon, Ira Glass and Peter Sagal.


Rinska Prestinary is a Dominican-American hailing from many different places but now considers Chicago her home. She started acting her last 2 years of high school and took a chance that she would find her place in the theatre world, with help from Columbia College Chicago. She was Lucky enough her Jr. year of College to land her first professional show with her new found family at Steep Theatre, where she was nominated for Supporting Actress, Best Play and won best ensemble for, In Arabia We'd All Be Kings by the Jeff Committee. She has worked with amazing companies such as Collaboraction, Teatro Vista, The Goodman, Pegasus Players among many other theatres working in full length productions to stage readings and festivals. Rinska was one of the directors of 365 Sketches. She and Joe have collaborated on projects for the Neo-Futurists and Collaboraction. Lacey and Rinska are reuniting after working with Silk Road Theatre Projects on the critically-acclaimed Scorched last year.


Brian Posen. Brian Does a lot of stuff.


Michael A Rose is a writer, performance artist, producer and musician living in Chicago IL with a cat named Dandelion. Originally from the frozen wastes of North Dakota, Michael’s plays have been produced in New York, Chicago, Portland, Denver and several other major cities. He is founder and artistic director of RoShamBo Theatre, and releases industrial and experimental music under the pseudonym Flood Damage. His debut novel entitled “Party Wolves in My Skull” will be published by Eraserhead Press at the end of 2011. He is honored to be part of this amazing event.


What's Up With This Show?


Forgotten Dreams - This is a silent scene originally written for BriKo. If that had happened, Brian Posen, one of the busiest dudes in Chicago theater, would have performed in two of the 50 Plays as well as directing a third. Unfortunately, the three members of BriKo just couldn't work out their schedule. I was ready to let the play go and move in, but I like it. It's about cavemen (cave people?) workingout the kinks in cave painting. I pitched it to David who I know to insanely creative when it comes to props and staging. He bit. He liked the script and I didn't have to place it on the deleted scenes section of the DVD, which doesn't exist.


The Machine Breaks Down - This, too, almost didn't make it into the show. This was the second piece I wrote for 50 Plays and the director was disappointed. Not so much disappointed in the piece, just disappointed that I didn't write something else for them. It was a good experience in that it helped me more clearly define what it was I was doing and that I needed to tell the directors that I wasn't customizing scripts for them, I was simply writing with them and their cast in mind. While I'm totally open to feedback, the only thing I did not want to hear from a director is "Could you write something else?" Don Hall liked the piece and swooped in to pick it up. It's about a couple in the deep pits of their relationship where all they do together is sit on the couch and face the TV.


Luna Teak and Tong - This was a buttload of fun to write. Lacey wanted to play someone evil. I wasn't sure if I was going to include Rinska on stage or not since she was also directing. Fortunately, I decided to challenge her and give her two roles to juggle on top of directing. Lacey plays an evil aunt out to force a young "suitor" to date her quite deformed daughter. I saw this in tech and Lacey really takes on this role with gusto. I look forward to seeing it with an audience.


Jughead
- Imagine Who's Afraid of Virgina Woolfe? if it took place in a trailer park with rednecks. All hell breaks loose in this scene between two couples and ends in a rather explosive way. It may have you running from the theater. But don't go too far. There's one more piece left.

Automatic Teller Machine Machine
- This one is both surreal and meta. In meeting with casts and directors, if they ever said, "We'd like to do something absurd, surreal or dada-esque." well, look out. To me, that's like giving a crazy person permission to stop trying to act normal and be full on crazy. This has a little for everyone. if everyone likes butoh dancing and fog machines.

For more information and to buy tickets, click HERE.