Sunday, May 17, 2009

Week 17, Day 119 - "Summer Evening"

“Summer Evening”
written by Joe Janes
5/17/09
119 of 365

CAST:
Carl, early 20’s
Mother, 50’s (voice only)
Mr. Drum, 40’s (voice only)
Mrs. Drum, 40’s (voice only)
Peggy, late teens
Brad late teens

(Circa 1948. Lights up on Carl. A thin, ratty looking man with soulful eyes. He sits in a dark red, heavy cloth, overstuffed chair with a doily on the back. It is slightly worn. Next to him is a lamp on a side table. The lamp is antique looking and has a pull string for switching it on and off. On the table is a pair of binoculars, a telephone and an ash tray. Carl is smoking a cigarette and staring intently out the downstage window. He closes his eyes for a moment, gets up and begins pacing behind the chair. He looks again out the window from behind the chair. He accidentally drops an ash on the floor. He backs his way to an upstage door, continuing to glance out the window, and quickly exits. Off stage, we hear him fumble through a closet. He returns with a broom and dustpan and sweeps up the mess, continuing to check out the window.)


MOTHER (off)
Carl…Carl…Carl! It’s Thursday night. Shouldn’t you be in bed? You have to work at the army base in the morning.

CARL
It’s Friday, Ma.

MOTHER (off)
What?

CARL
It’s Friday. It’s not Thursday. It’s Friday.

MOTHER (off)
……………………………………………Oh. How was your date?

CARL
I didn’t have a date.

MOTHER (off)
You had a date.

CARL
I didn’t have a date.

MOTHER (off)
I thought you had a date.

CARL
I had a date last Friday.

MOTHER (off)
………………………………………..Oh.

(Carl sees something out the window.)

CARL
Go to sleep, Ma.

MOTHER (off)
Goodnight, Dear.

(Carl looks agitated. He grabs the binoculars. He flips the emotional dial from anxious to angry to sad to bitter. He thinks he may have been spotted. He slinks down and crawls behind the chair. He reaches out and switches off the table lamp. He slowly returns to the seat/perch fixated on what’s going on outside the window. He picks up the phone and dials. It rings five times before someone picks up.)

MR. DRUM (on phone)
Hello?

CARL
Hello. Mr. Drum. Is Peggy there?

MR. DRUM (on phone)
Who is this?

CARL
It’s Carl Starling, Sir. Carl. From across the street.

MR. DRUM (on phone)
Are the clocks all broken at your home, Carl?

CARL
No.

MR. DRUM (on phone)
Did you call me because you needed me to tell you how late it is?

CARL
No, Sir. I know how late it is. I just wanted to talk to Peggy. Your daughter.

MR. DRUM (on phone)
I know who she is, Carl. She’s not here. I suggest you call back tomorrow at a reasonable time. Not before 10am and not after 6pm.

CARL
Are you sure?

MR. DRUM (on phone)
Am I sure what?

CARL
Are you sure she’s not home? I mean, I thought I saw her walk by our window. She might be on the front porch or something.

MR. DRUM (on phone)
Oh, for crying out loud in church on a Monday. Hold on…

(We hear Mr. Drum put down the phone.)

MRS. DRUM (off phone)
Who is it, Ashley?

MR. DRUM (off phone, walking away)
It’s that retard from across the street.

MRS. DRUM (off phone)
I don’t think that’s a nice thing to say.

MR. DRUM (off phone)
He wants to talk to your daughter.

MRS. DRUM (off phone)
Why does the retard want to talk to Peggy?

(FROM THE BACK OF THE THEATER, WE HEAR a screen door open…)

MR. DRUM (off)
Peggy!..

PEGGY (off)
Dad!

MR. DRUM (off)
Oh. Good evening, young man.

PEGGY (off)
Daddy, this is Brad. Brad, this is my Daddy.

BRAD (off)
Hello. How are you?

MR. DRUM (off)
I am fine. Someone on the phone for you, Peggy.

PEGGY (off)
Who is it?

MR. DRUM (off)
It’s that Starling boy from across the street.

PEGGY (off)
What does he want?

MR. DRUM (off)
Damn if I know.

PEGGY (off)
Tell him I’m not here.

MR. DRUM (off)
He knows you’re here. He lives across the street. He thinks you’re having a parade out here or something.

PEGGY (off)
Fine. I’ll talk to him.

MR. DRUM (off)
Tell him not to call so late.

PEGGY (off)
Sorry, Brad.

BRAD (off)
I forgive you.

PEGGY (trailing off)
I’ll be right back.

(We hear the screen door close and, through the phone, footsteps leading up to the phone and Peggy picking up.)

PEGGY (on phone)
Hello.

CARL
Hi, Peggy. It’s me. Carl.

PEGGY (on phone)
What do you want, Carl?

CARL
You know, I was just thinking about the great time we had last week at the carnival. I had such a great time. You had a great time, too. Didn’t you?

PEGGY (on phone)
Yeah. I had a really good time.

CARL
We should do it again, sometime.

PEGGY (on phone)
Yeah. Sure. Look. I don’t know. I don’t think it’s such a good idea. I’m leaving for college in a few weeks.

CARL
I know. It’s cool. College is cool. We can just, you know, no strings attached. Have some fun. Who wants to be tied down? Not me. That’s for sure.

PEGGY (on phone)
We’ll see. Um. I’m real busy, right now.

CARL
I wrote another poem for you. It’s a sonnet. Iambic pentameter and everything.

PEGGY (on phone)
I have no idea what that means. I have to go.

CARL
Sure. Okay. Maybe tomorrow-

(Peggy hangs up the phone. So does Carl.)

MOTHER (off)
Carl?…Carl? Are you on the telephone?

CARL
No, Ma. I’m not on the telephone.

MOTHER (off)
Then turn down the radio.

CARL
The radio’s not on.

MOTHER (off)
……………………………………………Oh.

CARL
Go back to sleep, Ma.

MOTHER
Goodnight, Dear.

(Carl goes back to the window. He doesn’t see anything across the street. There’s a knock at the door. He doesn’t know what to do. He takes short steps in different directions settling on standing against the far wall. Peggy enters. She is dressed like the girl in Edward Hopper’s “Summer Evening.” She is followed by Brad, who is dressed like the boy.)

PEGGY
Carl?…Carl?

(She turns on the lamp and sees Carl pressed against the wall.)

PEGGY (continuing)
Carl?

CARL
Oh, hi. Peggy. I didn’t hear you come in. Would you like something to drink for you and your guest. My mother made a pitcher of pink lemonade.

BRAD
Why is it pink?

CARL
I don’t know.

BRAD
Lemons aren’t pink.

CARL
No they are not.

PEGGY
Carl, this is Brad. Brad is my boyfriend.

BRAD
Hello. How are you?

CARL (he looks back and fourth between Peggy and Brad)
Are you going to hurt me?

BRAD
Are you talking to me or Peggy?

CARL
You?

BRAD
No? Peggy says you are in the military. You don’t look it.

CARL
I’m not in the military. I just work at the base.

BRAD
Oh. The military is cool.

CARL
I swear I didn’t know she had a boyfriend. You should have told me you had a boyfriend.

PEGGY
When we went to the carnival, I didn’t have a boyfriend. As of tonight, I have a boyfriend. I thought you should know.

CARL
Oh.

PEGGY
Thank you for writing a poem about me.

CARL
Two poems.

PEGGY
Goodnight, Carl.

(She starts to leave, Brad follows.)

BRAD
No lemonade?

PEGGY
We have some at home.

BRAD
Is it pink?

(They exit.)

(Carl goes back to the chair and sits down. He takes the poem out of his pocket, unfolds it and looks at it. He sets it on the table and turns off the lamp. LIGHTS FADE.)

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